Ripley Trent and the Haunted Shed

Abstract: Intimate partner violence (IPV) is a widespread problem with most prevalent symptoms of PTSD, posttraumatic nightmares (PTNMs).

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At peak times, it was overcrowded as people from the town made their way either to and from work in the close-by city of Osaka. However, during the rest of the day, according to Nendo designer Oki Sato, the space in front of the station had become a place that people just passed by. The mayor of the town then decided to make a change and called for a design competition to rejuvenate the site. The cofun are beautiful and unmistakable but blend into the spaces of everyday life in the city.

The majority of the concrete erections in the Tenri Station Plaza were fabricated away from the site and then transferred them to the site, allowing the material molds to be utilized more than once, making the entire process cost-effective. Around the plaza are signboards and guideposts that feature gentle curves like those of a real cofun, but are colored with a dark grey, which creates a natural distinction while still blending in with the surrounding area perfectly.

The materials and coloring of the inside of the saucers were created in such a way to match those of the main plaza as much as possible. The fixtures and furniture were constructed from wood obtained from Nara Prefecture and styled around a cofun theme to develop a sense of consistency with the plaza. The structures have been arranged according to their function, at four different heights to curtail noise levels. The design for the plaza should offer a convivial atmosphere that unconsciously leads visitors to hum, happily, while they are there.

Putting the humor aside, these modern interpretations of cofun are perfect for public space. Steep layers beckon all sorts of purposes, including seating, steps, roofs, shelves for items in shops, fences as well as beautiful sculptural forms for navigating around o your daily commute.

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Rather than being a gateway, Tenri Station plaza is in itself; a destination, and it takes on board its responsibilities of providing space for visitors to wait, meet or simply waste time while triggering its prospective to unite people and revitalize the community. The variety present at the plaza creates an environment that inspires visitors to come and explore as well as spend time in different spaces in the confines of the plaza, rather than limiting their movements to just a single place. The architect behind this wonder, however, could not resist using wordplay when naming the project, which effortlessly blends the Japanese vocabulary with international appeal.

CoFuFun is made of two Japanese words with a different meaning. The first word is cofun, which is an ancient tomb or cofun, while fufun means a happy, unconscious humming. Nendo is one of the most popular studios in Japan, won the competition. Nindo, with offices both in Tokyo and Milan, is known for its wide range of portfolio of retail interiors, industrial design, and branding, and it can be seen in CoFunFun that the studio summoned every bit of that diverse expertise.

Despite the size of the project, Sato says they were not intimidated, and as a matter of fact, tried to design huge furniture, instead of an architecture piece. The brain behind CoFunFun, Oki Sato, is one of the most in-demand designers in the world and juggles about projects simultaneously. I believe the more you design, the more you want. The reason why I work on so many projects is that I feel the more output I have the more input I can have. Sato is allergic to the type of grandiloquent gestures other designers like to make, yet his unassuming designs are witty and playful.

It is no coincidence that people love CoFunFun. The designers wanted to make it as user-friendly as possible, and create a sense of flow so that visitors can move effortlessly. I believe products should be simple enough for people to use without reading a thick manual. For me, a good design is something you can successfully explain to your mother over the phone. The designer also likes to use humor in his work, which is evident in every aspect of the CoFunFun, a counterpoint to potentially po-faced minimalism. Japanese design and architecture are about minimalism, poetry.

They reduce things down, which creates certain magic, but when this is done too much, an object loses its warmth, it repels people. That is not how I want my designs to be. I like them to have humor and to surprise, which creates a link to the user. CoFunFun is a playground for children, a stage that can host concerts, a study space, and public screenings.

There is also a souvenir shop where visitors can buy Tenri souvenirs. It is inspiring how art can turn space that was once dull into a lively place. I heard that when citizens see so many gathers at the plaza for weekend events, they are surprised to find that so many other people live in Tenri. He does things on his own volition and has made a trademark of elusiveness sometimes. Hammons spent the majority of his life in New York. He also lived in Los Angeles for a decade at the beginning of his artistic career.

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David Hammons is among the most important and fascinating artists of our time, defined by his political stance and refusal to confine himself to a particular aesthetic or medium. There is, however, a unifying thread in his oeuvre, with his works consistently being insightful, poignant, visually striking and politically engaged. His fickle relationship with the art world establishment and the inherent political commentary in his work reflect the complications of the time we live in, resulting in his unique way of visualizing the different truths we each experience.


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The flag contains red, black, and green colors. It was used in the exhibition to create awareness of the lack of coverage of African-American artists in Europe. During this event, seven artists were selected, among them David Hammons, but no African-American women featured in the exhibition. He was once sensationally quoted saying 3 ,. Henry Louis Gates 5 defined the term signifyin as the quintessential version of black creativity.

David Hammons — African-American Flag , , dyed cotton, Hammons was inspired by two contrasting symbols: the U.

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He merged two flags to evoke a conversation about the feeble history behind the flag of the United States and the mixed messages it conveys about their history. The design of the flag also drew some inspirations from the Watts riots 7 that took place in the region of Watts in Los Angeles between August 11 and 16, The American Flag tries to seek silent answers to the questionable maltreatment of the African-Americans in the United States.

It also sends a message about the misinterpretation as well as double standards and deception that is prevalent in being black in America. The flag delivers a sense of pride and confirms the presence of the African-American in the United States and that being black and American are one and the same thing. The colors of the flags also carry significant meaning.

The red signifies the blood, while back green represents the skin tone as well as the wealth left behind by the ancestors of the African-American when they were forced into slavery. For many decades, the flag has become an identity to Harlem, linking it to modern arts and the diaspora. This African-American Flag is recognized as a massive political statement for the African-American community.

In The African-American Flag and other works, Hammons regularly instills potent symbols with a new connotation. Instead of collaborating directly with Pan-African, the artists borrowing of its colors within the context of the original American flag is a timely reminder of the countless contributions made by black Americans all through the history of America.


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Hammons blends the two items to create a brand new flag of the United States. Thus he assumes a new, unique black power that stands for those individuals that the traditional flag has for a long time, not represented. There are several accepted myths about the origins and the meaning of the original American flag that is not grounded in fact.

Nevertheless, it is universally viewed as an emblem of freedom and justice. On the other hand, The African-American Flag is a motif for a people, a shared history, experience, and viewpoint. It is flying on the top of a pole in front of an old school building that currently houses white-walled rooms. The African-American Flag anticipated an inaugural display of works by fellow performing art and sculptor Nick Cave. Another edition of the flag still flies outside the courtyard of the Studio Museum in Harlem. It is usually made to fly every Fourth of July in the majority of African-American communities, as well as schools serving as an education for the younger generation.

Through this emblem, Hammons raised racial awareness as well as the stereotypic questions in the United States. In the early s, Kuwait hit news reports around the world for the war that different nations fought within its boundaries.

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In the years following that event, Kuwait and the effects of its war on citizens have inspired countless works of art around the world. They have inspired movies, songs, and paintings. As shown above, Kuwait is a reflection of the devastating effect of war on the Middle East country. Kuwait is not just one picture or image. Through it, the world gets to see the damage the war caused in Kuwait. More specifically, it shows the Kuwaiti oil fields going up in smoke. The images are quite haunting. They are bound to force you to take notice and ask yourself tons of questions too. Kuwait is significant for many reasons.

For example, it pays homage to the countless men and women who fight wars while putting their lives on the line. Additionally, it depicts the courage that men and women display during wars. In this case, Kuwait stands to lose a lot if its oil fields burn. The economy and environment will all suffer. The effect of war on the environment, economy, and human life, in general, lasts beyond a generation. Through Kuwait: A Desert on Fire , Salgado provides a timely reminder of what the war meant to the locals.

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What is more, he also manages to prove the close relationship that exists between humans and the environment. Everything that man does will always affect the environment. In some cases, the effects could be detrimental and in others positive. While doing that, the focus should be on minimizing the effects of war on humanity. Kuwait: A Desert on Fire has brought Salgado to the frontline.